My top 20 albums of all time.
Ones taste in music can change drastically over a prolonged period of time. Certain artists or bands that were once favoured can become a mere afterthought in your personal music directory given a change in preference of genre or just due to sheer realisation. All music fans can recall listening to some pretty questionable music throughout their childhood. Yet certain recordings will stay with you forever. Albums that are simply timeless. Albums that have an emotional effect on you as a listener. Albums that are just truly iconic. So without further a do, the following list consists of my personal top 20 albums of all time, at the time of writing, of course. As anyone would find when compiling a similar list, it is pretty difficult to narrow down so many outstanding compilations, therefore I have included some honorable mentions that didn't quite make the cut:
LCD Soundsytem- Sound Of Silver
The XX- xx
Jamie T- Panic Prevention
Kanye West- Late Registration
Wolf Alice- Your Loves Whore
20: VANT- Dumb Blood
Without a doubt the least known album of the list comes from British punk four-piece VANT. It is also the newest album on the list, having only been released as a debut album in February of this year. However, needless to say, as a music consumer, it has had a tremendous effect on me in the short amount of time that it has been released. It is an album with a seriously strong message. Laced with social commentary, political ideologies and a strong opinion on just about any current affair, the album takes you on a musical roller-coaster that very few others can. The way in which VANT injected the modern day indie rock scene with relevance and importance makes this album truly special. Musically speaking, every song offers something completely different. The album contains some of the catchiest riffs, best lyrics and most energetic beats of any album on this list. Dumb Blood is modern day indie rock at it's very best; I honestly don't think I've come across a better album in the last few years. With such stiff competition from a variety of other popular genres at the moment, Dumb Blood didn't receive as much mainstream success as the other 19 albums on the list. But the effect it had on me is enough for it to make my top 20. Simply sublime.
19: The Jam- Sound Affects
The Jam have my Dad to thank for this one, and I guess I have too. My earliest memories of music are being in the passenger seat listening to every Paul Weller song ever recorded. Having said that, I'm not complaining. Although incredibly successful in their own right, The Jam acted as a platform for Paul Weller to enjoy one of the most decorated solo careers in British music. What I love most abut this album is that is sounds very particular of the decade it was written in. From Bruce Foxton's bass and Rick Bucklers drum beats sounding particularly '70's', to Weller's social commentary in songs such as 'That's Entertainment'. Weller's lyrics were approachable and human, allowing The Jam to relate to teenage lads and young men alike, which made up the majority of their fan base at the time. The Jam looked to 60's bands such as The Beatles for inspiration when writing, opting to use extracts from 'Taxman' in 'Start'. Yet, they managed to create a completely different sound which personified the decade and acted as a transition between two generations of British rock. Many songs from the album took a completely different route from songs taken from The Jam's earlier records, however, others sounded like they could have fitted in on any of The Jams earlier albums. This then allowed The Jam to reach out to a new audience, whilst retaining the sound that made them the revolution that they were at the point of release. In simple terms, Sound Affects is filled with timeless classics and urban art. Tunes like 'That's Entertainment', 'Start!' and 'Pretty Green' will always sound as fresh now as they did when written. Weller carved an outstanding career off the back of this superb album, and for that, music fans are eternally grateful.
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18: Catfish And The Bottlemen- The Balcony
A few years ago, Catfish And The Bottlemen appeared out of nowhere and took the British indie music scene by the scruff of the neck. Whether you like it or not, it is hard to deny the fact that Catfish have had an enormous effect on modern British guitar music, offering something fresh and powerful that no one else is offering. The Balcony is an album that I have tried to shy away from over the last year or so, yet I find myself blasting it out on an almost daily basis. It possesses some of the catchiest choruses of the recent era, powerful riffs and meaningful lyrics. Unlike many of the successful British bands of the 00's, there is something stubbornly retrospective about the entire album. It's emotionally driven and has a powerful meaning, mostly due to Van McCann's struggles throughout his teen years. Seeing Catfish perform songs from the debut album live is a completely different experience. Whilst belting out the lyrics to song after song, you can almost feel Van's pain through his stunning vocals, adding a sense of relatability. Hearing the ringing noise at the beginning of 'Homesick' as they open their set always gives me goosebumps. 'The Pacifier' and 'Tyrants' fill you with a type of adrenaline that is synonymous with Catfish's live sets. The album is truly captivating. Perhaps not critically acclaimed, it is an album that has had a massive effect on me as a fan of indie music. Furthermore, it has to be a pretty awesome album to rank above the Jam.
17: Nirvana- Nevermind
Where do I start with this album? Perceived to be one of the most iconic albums of all time, Nevermind comes in at number 17 on my top 20. Although I would not class myself as big Nirvana fan, it really is hard to ignore just how insane this album is and how much of an impact it has had on the music industry as a whole. Nevermind is an album masterminded by an absolute genius, yet tortured soul, Kurt Cobain. Not forgetting a certain Dave Grohl on drums and Krist Novoselic on bass guitar. To be quite honest, Nirvana took the piss a bit with this album. They wrote an album which turned grunge from a seemingly niche genre into a mainstream powerhouse. 'Smells Like Teen Spirit' and 'Come As You Are' personify the genre. They act as anthems for angst-ridden teens around the world, even almost 30 years after it was released. Yes- 30 years. Musically, it's nothing short of sensational. A tight, compressed guitar sound that became synonymous with Nirvana as a band, and revelatory lyrics that could only be written by Cobain. The hurt in Cobains voice is intriguing to the point where you can feel his pain yourself. Ultimately, you can almost put Neverminds success down to Cobains presence. Yet, Nevermind is an iconic album, filled with timeless tunes that will maintain it's iconic stature for eternity. Whether you like Nirvana or not, no one will ever be able to deny the effect this album has had on music. It's powerful, unique and timeless. It's alright to listen to as well.
16: Kings Of Leon- Aha Shake Heartbreak
The first of two Kings Of Leon albums on the list, Aha Shake Heartbreak was their second release, way back in 2004. Although not quite on their debut albums level (in my opinion), it was written in a very similar way, and possesses a similar raw, gritty sound which is what ignited my initial love for Kings Of Leon as a band. A slightly more mature, established effort than 'Youth And Young Manhood', Aha Shake Heartbreak almost acts as a transition between their stripped down first album and their more generic material of the modern day. Aha Shake Heartbreak includes many of my favourite Kings Of Leon songs, such as 'King Of The Rodeo', 'The Bucket' and 'Slow Night, So Long'. This is a tight album, and the band had grown in confidence by the time of release.They had added many more elements to their songwriting, without their songs sounding pretentious or overproduced. Every song on this album has a unique momentum, synonymous of Kings Of Leons earlier material, driven by Jared's bass and Nathans drumming. Partnered with Caleb's husky vocals and Matthews distinctive riffs, it makes for pure musical genius. It's hard edged, carries a sinful message and is sheer american rock excellence.
15: Radiohead- Hail To The Thief
I'm personally a bit of a latecomer when it comes to the glorified euphoria of Radiohead. Usually opting for more upbeat and generic 90's indie bands. However, watching their Glastonbury 2017 headline slot had me awestruck. Radiohead are arguably responsible for some of the most beautiful songs ever recorded. Hail To The Thief is perceived to be underrated when it comes to Radiohead. It mixes laptops with instruments and laid down some of Radioheads most experimental and interesting sounds. This is exactly why it rates higher in my personal ranking of Radioheads studio albums. The friction between regular instruments and electronically recorded sounds made for a revolutionary shift in the way that Radiohead recorded their music, and kept them fresh. The song 'There, There' opens up a completely different world for listeners of the 90's alt-rock band. Thom Yorke himself has even admitted that 'There, There' is the best thing that the band had ever done, and is even quoted to have been brought to tears by the final recording. The album is pure art from start to finish, and takes you on a mind-bending journey that no other album can.
14: Queens Of The Stone Age- Songs For The Deaf
Just like Radiohead, I am a latecomer when it comes to the sheer brilliance of Queens Of The Stone Age. Also, like Radiohead, my love for Queens Of The Stone Age began when stumbling accross a festival headline set on YouTube. The set in question- Reading and Leeds 2014. Only previously familiar with the classic 'No One Knows', this hour and a half opened my eyes to the genius songwriting capabilities of Josh Homme and co.'You Think I Ain't Worth A Dollar But I Feel Like A Millionaire' is such a powerful opening song, and has you intrigued by what the rest of the album holds. Which just so happens to be 13 more songs of modern rock excellence. Instrumentally speaking, I believe that the Californian 5 piece are one of the best bands of modern times. This very album speaks volumes. In particular, a certain Dave Grohl, who was the recording drummer for the album. As if Dave Grohl couldn't become anymore of a fucking legend. Musically, I just can't help but think that QOTSA offer so much more than many other bands within the same genre. Every song from this album is unique in it's own right, but has the same compelling effect on me as a listener. It's heavy yet melodic and severely addictive.
13: The Strokes- Is This It
In an era dominated by the likes of Oasis, Blur and Pulp, The Strokes rose from obscurity and offered a fresh and raw guitar sound that became instantly popular. This album is arguably quite simplistic, perhaps in the same way as 'Up The Bracket' by The Libertines. But it was executed perfectly, and was therefore responsible for all time singalong favourite 'Last Nite', as well as 'Hard To Explain' and 'Someday'. In fact, virtually the whole album consists of singalong favourites. Coupled with ragged guitar riffs and excellent song structure, of course led by the supremely cool Julian Casablancas. This album proves that simple and punchy production can work out for the best. This was not overthought, nor overproduced. It's stripped back indie rock brilliance, written in the heart of New York. 'Is This It' made The Strokes overnight sensations. They perhaps never quite lived up to the expectation that was expected off the back off this debut album. Yet, it's constantly regarded as one of the best albums of the 21st century.
12: The Libertines- Up The Bracket
Despite being 15 years old, I feel like Up The Bracket remains somewhat timeless. The sound that The Libertines achieved through this album still sounds fresh, exciting and relevant. It's written with quintessential London 'grit', and almost acts as a soundtrack for every down in the dumps musician in the capital. Pete Doherty's drug fuelled lethargic manner contrasted with Carl Barat's all guns blazing, heart on sleeve emotional outlook makes for a perfect combination. The fact that both sound as if they're on the edge of collapse through their vocals makes the entire album sound so much more angst ridden and dangerous. This is particularly evident in my favourite track from their debut album- 'Horror Show'. Another of the most famous songs from the album- 'Time For Heroes', is the kind of soaring indie classic designed for you to swing you arm around your pissed up mate and have the time of your life in a field in Berkshire. The Libertines are perhaps the most 'English' band of the 21st century, which their songwriting and indeed, their image, proves. This was the debut album that announced a pair of absolute wreck-heads to modern Britain. However, those two absolute wreck-heads are responsible for penning one of the most impressive British albums of the modern generation.
11: Kings Of Leon- Youth And Young Manhood
Perhaps a somewhat unpopular opinion due to the commercial success of 'Only By The Night', but I perceive this to be Kings Of Leon's best ever album. Youth And Young Manhood, at the time of release, offered something vastly different to what everyone else was doing. Kings Of Leon had created a distinctly deep south American sound and image, which to the surprise of many, was received better by British music fans than our American counterparts. This album was written on the back of a truly interesting upbringing. Consisting of three brothers- Caleb, Nathan and Jared along with their cousin Matthew, Kings Of Leon were brought up by a preacher father, who fed them with musical intrigue and religious beliefs in equal measure. The story behind the album allows for a raw, gritty and perhaps more un-established sound that fans of their later stuff may be a tad unfamiliar with. From a musical perspective, the southern rock/blues sound is one that I have struggled to find any band make popular or mainstream. Songs such as Molly's Chambers and Red Morning Light may lack the finesse that songs such as Sex On Fire or Use Somebody do, but that's what makes them so much better. Everything from the guitar riffs, drum beat and vocals are just so much more captivating. Their best work comes when they strip everything back to a tee, which is what they did with this very album. It may be worth noting that this is my highest rated non British album of the top 20, which is an accolade in itself. A very very small accolade, but an accolade nonetheless.
Find me a more original or authentic band than Slaves in the past 10 years. Although not everyone's cup of tea, the Tunbridge Wells duo made up of Isaac Holman and Laurie Vincent offer one of the most distinctive sounds of any band in the 21st century. The drummer being the lead vocalist is unique in its own right. Add to the fact that he drums stood up, with no kick pedal and no hi-hat. Fucking boss. Guitarist Laurie's showmanship without a doubt matches up to Isaacs and his guitar riffs are impressive beyond belief, not to mention the fact that they compliment Isaacs stripped back drumming. When listening to Slaves, and indeed seeing them live, it fills me with a sense of adrenaline that no other band has ever got near to. The aggressive post-punk sound of this album is one which makes me want to belt out every lyric at the top of my voice, or smash a window in an equally adrenaline fueled manner. The album is a stand. A stand against grumpy Londoners, lazy twenty something year olds who are too naive to make a stand and overall, the lack of personality in modern music. It's refreshing, exciting and gritty, yet musically outstanding at the same time. It also includes some of my favourite songs of the last few years in Sockets, Hey and The Hunter. Slaves have slowly become something of an inspiration for me as a music fan. They've become one of my favourite bands for a reason and Are You Satisfied is what drew my attention to them originally, for which I am eternally grateful.
9: The Cure- Head On The Door
This album is just an absolute thing of beauty. It maintains a sense of elegance throughout the entirety, which makes it a stunning album to listen to. Smith's soothing vocals, the soft guitar sound and flickering array of background noises make for some incredible compositions. This was the first album by The Cure was deemed as mainstream, with their earlier stuff tending to appeal to a certain gothic fan-base. It's unfair to say that this was a cop-out however. This allowed the Sussex band to broaden their horizons and reach a wider fan-base. This, in turn, led to a higher level of sophistication, and propelled The Cure to the headline set worthy band that they still are to this day. I deem one song from 'Head On The Door'- 'Close To Me', to be one of my all time favourites. But more popular songs from the album include 'In between Days' and 'Kyoto Song', both of which are indie cult classics. This album is easily the most accomplished and impressive album that The Cure have ever written. It has everything a fan of the genre could ever wish for. Catchy hooks, sharp lyrics, an exciting and experimental new sound and a refreshing direction. This was the album that rejuvenated the careers of The Cure, and gave them the direction they needed to become one of Britain's most unique bands.
8: Radiohead- The Bends
The Bends is an absolute thing of beauty. It's a violenty disturbed album written in a decade dominated by britpop bands such as Oasis, Pulp and Blur. Radiohead were so different to the point that no band has ever, and will indeed never come close to orchestrating an album on a level to Radiohead at the their peak, within the alt-rock genre. The Bends is Thom Yorke at his very best. Sounding troubled, haunted and established in equal measure. Musically, The Bends includes some of the beautiful pieces of music I have had the pleasure of hearing in 'Fake Plastic Trees' and 'Street Spirit (Fade Out)'. It was a bold effort from Radiohead, and wasn't as commercially successful as it's successors. Yet, it is now as acclaimed as any of Radioheads more recent efforts. The Bends is a unique album in every sense of the word. Yorke's vocals achieve a sort of pitch that the instruments do themselves. It's a truly enigmatic album, with every song having an equally effective, yet different effect on you as a listener.
7: Oasis- (What's The Story) Morning Glory?
People will always disagree on certain things. Tea or Coffee? Cats or Dogs? Definitely Maybe or Morning Glory? For me, it's the former of the two. However, Morning Glory comes a very close second. Written with the same arrogance as Definitely Maybe, (What's The Story) Morning Glory? was a superb follow-up. It was loud, brash and aggressive. It included an endless list of hits such as 'Wonderwall', 'Don't Look Back In Anger', 'Morning Glory' and 'Champagne Supernova'. The only critique is that it was perhaps not quite as inventive as Definitely Maybe, however this doesn't make it any less invigorating from a musical perspective. Oasis were never concerned with commenting on current affairs or political issues within their songs. Noel, Liam and co. wrote melodies strong enough to compensate for any lack of political knowledge. This album acted as a stand. It was a victory for real British rock 'n' roll. This album had everything. Wonerwall had potentially the most memorable guitar intro in British rock history. Don't Look In Anger became one of the most nostalgic singalong songs of the past 20 years. Morning Glory filled fans with adrenaline like no other song could. Champagne Supernova had the psychedelic guitar tones that only The Beatles could have claimed to have possessed prior. A genuine classic in every sense.
6: Biffy Clyro- Only Revolutions
Ask any neutral music fan what their favourite Biffy Clyro song is. They'll probably respond with either 'Many Of Horror', 'The Captain' or 'Mountains'. Or perhaps 'Bubbles' or 'God & Satan'. All of which derive from this very album. Only Revolutions is Biffy's only album to have ever been nominated for the prestigious Mercury Prize. It's easy to see why. Whilst remaining true to their roots as a heavy rock band, Biffy expanded their arsenal with irresistibly catchy anthems. This was the first album by the Scottish trio that included massive singalong hits. Yet, it also includes powerful riffs within songs very much in the mould of their earlier stuff such as 'That Golden Rule' and 'Shock Shock'. This album achieved commercial success due to its capabilities to cater for a broad base of rock music fans. Every song offers something completely different. Whether it be a heavy drop, catchy lyrics, emotional meaning, intense instrumentals or stripped back acoustic magic. This album allowed Biffy Clyro to evolve. The quirkiness remained, but the hooks became ever sharper, and they achieved an established sound that Biffy fans were not familiar with.
5: Arctic Monkeys- Whatever People Say I Am, That's What I'm Not
Never has a debut album given a band a bigger platform from which to work from. Still teenagers at the time of release, the Sheffield four-piece took the indie world by storm with the release of their debut single 'I Bet That You Look Good On The Dancefloor', which very quickly became an indie anthem of a generation. 12 years later, Arctic Monkeys have five number one albums, have headlined every major music festival worldwide and have already established themselves as one of the most popular British bands of all time. Before even being released, this had the makings of being one of the most iconic albums of our generation. Fuelled by adolescent experiences in their home city, their debut album follows quite a basic theme. Turners commentary on such basic subjects proved an instant universal success. Every single song on this album is stripped back indie rock excellence. Take away the classics 'I Bet That You Look Good On The Dancefloor', 'When The Sun Goes Down' and 'Fake Tales Of San Francisco', and you'd still probably be left with Arctic Monkeys best ever album. My personal favourite song fro this album 'A Certain Romance' is one of my all time favourites. This is merely a soundtrack of nights out and relatable experiences for British teenagers, and it's perfect.
4: Biffy Clyro- Opposites
Anyone that knows me pretty well will probably know that Biffy Clyro are my favourite band. Anyone that knows me better will know that my favourite song all of time is 'Different People', which happens to be the opening song of Biffy's sixth studio album- Opposites. This really did take Biffy to the next level. It's experimental, emotional and captivating. In amongst the tremorous riffs, vocal hooks and anthemic choruses that Biffy had already become synonymous with, you have bagpipe outbreaks and punctuations of harp. Biffy Clyro's slow and torturous rise to fame makes this album utterly heartwarming. From their gritty post-grunge roots, to this stadium size anthem filled collection of hits. Yet unlike any other band with a platinum selling album, this effort from Biffy is far more complex, troubled, intriguing and ultimately- different. Although not the career defining album that 'Only Revolutions' was at the time, Biffy headlined their first ever major UK festival off the back of this album at Reading and Leeds 2013. This cemented Biffy's reputation as one of the most creative and brave rock bands of the 21st century.
3: The Verve- Urban Hymns
In what became quite a famous quote, Bono of U2 once stated that the one song he always wished he had written was 'Lucky Man' by The Verve. Whether you like U2 or not (which I don't), it's hard to ignore the sheer star power of Bono and the respect he has within the music industry. Bare in mind 'Lucky Man' is not even the most iconic song of this album. That accolade goes to cult classic 'Bittersweet Symphony'- often regarded as one of the most iconic British indie anthems of all time. Urban Hymns is a brutally honest album. An album which everyone up and down the country could relate to. Urban Hymns is an album for the people. It's a thrilling album, with sweeping symphonys passionate declarations of failure. The huge singalong choruses are so so hard to ignore. As is the musical arrangement of most songs. 'Sonnet' and 'The Drugs Don't Work' being prime examples, alongside the previously mentioned 'Lucky Man' and 'Bittersweet Symphony'. The fact that this album achieved such commercial success is such an endearing though, given the depressing tone behind the writing process. Supposing I didn't worship Oasis and Biffy Clyro as much as I do, this may have ranked higher.
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2: Biffy Clyro- Puzzle
Never has a band had more of an emotional effect on me as Biffy Clyro. They are a band that I discovered at a very tough point in my life. They offered me a release. This album in particular. With a notably different route than their previous albums, Puzzle is an album fuelled by heartache and misery. This was the album that propelled Biffy into super-stardom. Yet, it still sounds as scraggy and raw as their previous efforts, unlike future success stories 'Only Revolutions' and 'Opposites'. Kicking off with 'Living Is A Problem Because Everything Dies', as a listener, you're immediately drawn in by the extraordinary instrumental build up, coupled with the violin gut punches, which in my opinion, is musical genius. Many tracks such as 'Who's Got A Match' and 'Saturday Superhouse' carry the same kind of intensity. All written with devious song structures and powerful instrumentals. Other songs such as 'Machines' and 'Folding Stars' are melodic excellence. This album gave Biffy a platform to achieve the success that they have today. It gave them the freedom to experiment with their music and thus made them multi dimensional. Being able to confide in Biffy Clyro just by listening to this album sounds ridiculous, but that's how I felt for a period of time. This album feels special to me in a way that no other does.
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1: Oasis- Definitely Maybe
From a non-biased perspective, I'd have to say that not only is this probbaly the best album ever recorded, but Oasis are probably the best band of all time. Call me generic, I don't care. The fact that this album is sheer musical excellence, yet sounds like it was recorded in the middle of a pub-crawl, makes it truly iconic. This is vague songwriting at its very best. Not necessarily the most inventive of albums, it takes inspiration from bands such as The Beatles, The Jam and The Sex Pistols, but it's delivered with a typically Oasis arrogance that gives it an added edge. Certain songs may seem as if they are just written about getting pissed and generally not giving a fuck, but that couldn't be further from the truth. Rock 'n' Roll Star has a powerful message about escaping the overwhelming metropolis of big cities and living in the moment. Another of the most iconic songs 'Live Forever' is about young outsiders chasing immortality. Cigarettes and Alcohol however, is just about cracking open a tinnie and having a cig, and that's why it's absolutely class. The majority of Oasis's best songs are on this very album. It acts as a tracklist for a generation. Oasis never bettered this album, and quite honestly, neither did anyone else. Nor will anyone ever better it.
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LCD Soundsytem- Sound Of Silver
The XX- xx
Jamie T- Panic Prevention
Kanye West- Late Registration
Wolf Alice- Your Loves Whore
20: VANT- Dumb Blood
Without a doubt the least known album of the list comes from British punk four-piece VANT. It is also the newest album on the list, having only been released as a debut album in February of this year. However, needless to say, as a music consumer, it has had a tremendous effect on me in the short amount of time that it has been released. It is an album with a seriously strong message. Laced with social commentary, political ideologies and a strong opinion on just about any current affair, the album takes you on a musical roller-coaster that very few others can. The way in which VANT injected the modern day indie rock scene with relevance and importance makes this album truly special. Musically speaking, every song offers something completely different. The album contains some of the catchiest riffs, best lyrics and most energetic beats of any album on this list. Dumb Blood is modern day indie rock at it's very best; I honestly don't think I've come across a better album in the last few years. With such stiff competition from a variety of other popular genres at the moment, Dumb Blood didn't receive as much mainstream success as the other 19 albums on the list. But the effect it had on me is enough for it to make my top 20. Simply sublime.
19: The Jam- Sound Affects
The Jam have my Dad to thank for this one, and I guess I have too. My earliest memories of music are being in the passenger seat listening to every Paul Weller song ever recorded. Having said that, I'm not complaining. Although incredibly successful in their own right, The Jam acted as a platform for Paul Weller to enjoy one of the most decorated solo careers in British music. What I love most abut this album is that is sounds very particular of the decade it was written in. From Bruce Foxton's bass and Rick Bucklers drum beats sounding particularly '70's', to Weller's social commentary in songs such as 'That's Entertainment'. Weller's lyrics were approachable and human, allowing The Jam to relate to teenage lads and young men alike, which made up the majority of their fan base at the time. The Jam looked to 60's bands such as The Beatles for inspiration when writing, opting to use extracts from 'Taxman' in 'Start'. Yet, they managed to create a completely different sound which personified the decade and acted as a transition between two generations of British rock. Many songs from the album took a completely different route from songs taken from The Jam's earlier records, however, others sounded like they could have fitted in on any of The Jams earlier albums. This then allowed The Jam to reach out to a new audience, whilst retaining the sound that made them the revolution that they were at the point of release. In simple terms, Sound Affects is filled with timeless classics and urban art. Tunes like 'That's Entertainment', 'Start!' and 'Pretty Green' will always sound as fresh now as they did when written. Weller carved an outstanding career off the back of this superb album, and for that, music fans are eternally grateful.
18: Catfish And The Bottlemen- The Balcony
A few years ago, Catfish And The Bottlemen appeared out of nowhere and took the British indie music scene by the scruff of the neck. Whether you like it or not, it is hard to deny the fact that Catfish have had an enormous effect on modern British guitar music, offering something fresh and powerful that no one else is offering. The Balcony is an album that I have tried to shy away from over the last year or so, yet I find myself blasting it out on an almost daily basis. It possesses some of the catchiest choruses of the recent era, powerful riffs and meaningful lyrics. Unlike many of the successful British bands of the 00's, there is something stubbornly retrospective about the entire album. It's emotionally driven and has a powerful meaning, mostly due to Van McCann's struggles throughout his teen years. Seeing Catfish perform songs from the debut album live is a completely different experience. Whilst belting out the lyrics to song after song, you can almost feel Van's pain through his stunning vocals, adding a sense of relatability. Hearing the ringing noise at the beginning of 'Homesick' as they open their set always gives me goosebumps. 'The Pacifier' and 'Tyrants' fill you with a type of adrenaline that is synonymous with Catfish's live sets. The album is truly captivating. Perhaps not critically acclaimed, it is an album that has had a massive effect on me as a fan of indie music. Furthermore, it has to be a pretty awesome album to rank above the Jam.
17: Nirvana- Nevermind
Where do I start with this album? Perceived to be one of the most iconic albums of all time, Nevermind comes in at number 17 on my top 20. Although I would not class myself as big Nirvana fan, it really is hard to ignore just how insane this album is and how much of an impact it has had on the music industry as a whole. Nevermind is an album masterminded by an absolute genius, yet tortured soul, Kurt Cobain. Not forgetting a certain Dave Grohl on drums and Krist Novoselic on bass guitar. To be quite honest, Nirvana took the piss a bit with this album. They wrote an album which turned grunge from a seemingly niche genre into a mainstream powerhouse. 'Smells Like Teen Spirit' and 'Come As You Are' personify the genre. They act as anthems for angst-ridden teens around the world, even almost 30 years after it was released. Yes- 30 years. Musically, it's nothing short of sensational. A tight, compressed guitar sound that became synonymous with Nirvana as a band, and revelatory lyrics that could only be written by Cobain. The hurt in Cobains voice is intriguing to the point where you can feel his pain yourself. Ultimately, you can almost put Neverminds success down to Cobains presence. Yet, Nevermind is an iconic album, filled with timeless tunes that will maintain it's iconic stature for eternity. Whether you like Nirvana or not, no one will ever be able to deny the effect this album has had on music. It's powerful, unique and timeless. It's alright to listen to as well.
16: Kings Of Leon- Aha Shake Heartbreak
The first of two Kings Of Leon albums on the list, Aha Shake Heartbreak was their second release, way back in 2004. Although not quite on their debut albums level (in my opinion), it was written in a very similar way, and possesses a similar raw, gritty sound which is what ignited my initial love for Kings Of Leon as a band. A slightly more mature, established effort than 'Youth And Young Manhood', Aha Shake Heartbreak almost acts as a transition between their stripped down first album and their more generic material of the modern day. Aha Shake Heartbreak includes many of my favourite Kings Of Leon songs, such as 'King Of The Rodeo', 'The Bucket' and 'Slow Night, So Long'. This is a tight album, and the band had grown in confidence by the time of release.They had added many more elements to their songwriting, without their songs sounding pretentious or overproduced. Every song on this album has a unique momentum, synonymous of Kings Of Leons earlier material, driven by Jared's bass and Nathans drumming. Partnered with Caleb's husky vocals and Matthews distinctive riffs, it makes for pure musical genius. It's hard edged, carries a sinful message and is sheer american rock excellence.
15: Radiohead- Hail To The Thief
I'm personally a bit of a latecomer when it comes to the glorified euphoria of Radiohead. Usually opting for more upbeat and generic 90's indie bands. However, watching their Glastonbury 2017 headline slot had me awestruck. Radiohead are arguably responsible for some of the most beautiful songs ever recorded. Hail To The Thief is perceived to be underrated when it comes to Radiohead. It mixes laptops with instruments and laid down some of Radioheads most experimental and interesting sounds. This is exactly why it rates higher in my personal ranking of Radioheads studio albums. The friction between regular instruments and electronically recorded sounds made for a revolutionary shift in the way that Radiohead recorded their music, and kept them fresh. The song 'There, There' opens up a completely different world for listeners of the 90's alt-rock band. Thom Yorke himself has even admitted that 'There, There' is the best thing that the band had ever done, and is even quoted to have been brought to tears by the final recording. The album is pure art from start to finish, and takes you on a mind-bending journey that no other album can.
14: Queens Of The Stone Age- Songs For The Deaf
Just like Radiohead, I am a latecomer when it comes to the sheer brilliance of Queens Of The Stone Age. Also, like Radiohead, my love for Queens Of The Stone Age began when stumbling accross a festival headline set on YouTube. The set in question- Reading and Leeds 2014. Only previously familiar with the classic 'No One Knows', this hour and a half opened my eyes to the genius songwriting capabilities of Josh Homme and co.'You Think I Ain't Worth A Dollar But I Feel Like A Millionaire' is such a powerful opening song, and has you intrigued by what the rest of the album holds. Which just so happens to be 13 more songs of modern rock excellence. Instrumentally speaking, I believe that the Californian 5 piece are one of the best bands of modern times. This very album speaks volumes. In particular, a certain Dave Grohl, who was the recording drummer for the album. As if Dave Grohl couldn't become anymore of a fucking legend. Musically, I just can't help but think that QOTSA offer so much more than many other bands within the same genre. Every song from this album is unique in it's own right, but has the same compelling effect on me as a listener. It's heavy yet melodic and severely addictive.
13: The Strokes- Is This It
In an era dominated by the likes of Oasis, Blur and Pulp, The Strokes rose from obscurity and offered a fresh and raw guitar sound that became instantly popular. This album is arguably quite simplistic, perhaps in the same way as 'Up The Bracket' by The Libertines. But it was executed perfectly, and was therefore responsible for all time singalong favourite 'Last Nite', as well as 'Hard To Explain' and 'Someday'. In fact, virtually the whole album consists of singalong favourites. Coupled with ragged guitar riffs and excellent song structure, of course led by the supremely cool Julian Casablancas. This album proves that simple and punchy production can work out for the best. This was not overthought, nor overproduced. It's stripped back indie rock brilliance, written in the heart of New York. 'Is This It' made The Strokes overnight sensations. They perhaps never quite lived up to the expectation that was expected off the back off this debut album. Yet, it's constantly regarded as one of the best albums of the 21st century.
12: The Libertines- Up The Bracket
Despite being 15 years old, I feel like Up The Bracket remains somewhat timeless. The sound that The Libertines achieved through this album still sounds fresh, exciting and relevant. It's written with quintessential London 'grit', and almost acts as a soundtrack for every down in the dumps musician in the capital. Pete Doherty's drug fuelled lethargic manner contrasted with Carl Barat's all guns blazing, heart on sleeve emotional outlook makes for a perfect combination. The fact that both sound as if they're on the edge of collapse through their vocals makes the entire album sound so much more angst ridden and dangerous. This is particularly evident in my favourite track from their debut album- 'Horror Show'. Another of the most famous songs from the album- 'Time For Heroes', is the kind of soaring indie classic designed for you to swing you arm around your pissed up mate and have the time of your life in a field in Berkshire. The Libertines are perhaps the most 'English' band of the 21st century, which their songwriting and indeed, their image, proves. This was the debut album that announced a pair of absolute wreck-heads to modern Britain. However, those two absolute wreck-heads are responsible for penning one of the most impressive British albums of the modern generation.
11: Kings Of Leon- Youth And Young Manhood
Perhaps a somewhat unpopular opinion due to the commercial success of 'Only By The Night', but I perceive this to be Kings Of Leon's best ever album. Youth And Young Manhood, at the time of release, offered something vastly different to what everyone else was doing. Kings Of Leon had created a distinctly deep south American sound and image, which to the surprise of many, was received better by British music fans than our American counterparts. This album was written on the back of a truly interesting upbringing. Consisting of three brothers- Caleb, Nathan and Jared along with their cousin Matthew, Kings Of Leon were brought up by a preacher father, who fed them with musical intrigue and religious beliefs in equal measure. The story behind the album allows for a raw, gritty and perhaps more un-established sound that fans of their later stuff may be a tad unfamiliar with. From a musical perspective, the southern rock/blues sound is one that I have struggled to find any band make popular or mainstream. Songs such as Molly's Chambers and Red Morning Light may lack the finesse that songs such as Sex On Fire or Use Somebody do, but that's what makes them so much better. Everything from the guitar riffs, drum beat and vocals are just so much more captivating. Their best work comes when they strip everything back to a tee, which is what they did with this very album. It may be worth noting that this is my highest rated non British album of the top 20, which is an accolade in itself. A very very small accolade, but an accolade nonetheless.
10: Slaves- Are You Satisfied?
Find me a more original or authentic band than Slaves in the past 10 years. Although not everyone's cup of tea, the Tunbridge Wells duo made up of Isaac Holman and Laurie Vincent offer one of the most distinctive sounds of any band in the 21st century. The drummer being the lead vocalist is unique in its own right. Add to the fact that he drums stood up, with no kick pedal and no hi-hat. Fucking boss. Guitarist Laurie's showmanship without a doubt matches up to Isaacs and his guitar riffs are impressive beyond belief, not to mention the fact that they compliment Isaacs stripped back drumming. When listening to Slaves, and indeed seeing them live, it fills me with a sense of adrenaline that no other band has ever got near to. The aggressive post-punk sound of this album is one which makes me want to belt out every lyric at the top of my voice, or smash a window in an equally adrenaline fueled manner. The album is a stand. A stand against grumpy Londoners, lazy twenty something year olds who are too naive to make a stand and overall, the lack of personality in modern music. It's refreshing, exciting and gritty, yet musically outstanding at the same time. It also includes some of my favourite songs of the last few years in Sockets, Hey and The Hunter. Slaves have slowly become something of an inspiration for me as a music fan. They've become one of my favourite bands for a reason and Are You Satisfied is what drew my attention to them originally, for which I am eternally grateful.
9: The Cure- Head On The Door
This album is just an absolute thing of beauty. It maintains a sense of elegance throughout the entirety, which makes it a stunning album to listen to. Smith's soothing vocals, the soft guitar sound and flickering array of background noises make for some incredible compositions. This was the first album by The Cure was deemed as mainstream, with their earlier stuff tending to appeal to a certain gothic fan-base. It's unfair to say that this was a cop-out however. This allowed the Sussex band to broaden their horizons and reach a wider fan-base. This, in turn, led to a higher level of sophistication, and propelled The Cure to the headline set worthy band that they still are to this day. I deem one song from 'Head On The Door'- 'Close To Me', to be one of my all time favourites. But more popular songs from the album include 'In between Days' and 'Kyoto Song', both of which are indie cult classics. This album is easily the most accomplished and impressive album that The Cure have ever written. It has everything a fan of the genre could ever wish for. Catchy hooks, sharp lyrics, an exciting and experimental new sound and a refreshing direction. This was the album that rejuvenated the careers of The Cure, and gave them the direction they needed to become one of Britain's most unique bands.
8: Radiohead- The Bends
The Bends is an absolute thing of beauty. It's a violenty disturbed album written in a decade dominated by britpop bands such as Oasis, Pulp and Blur. Radiohead were so different to the point that no band has ever, and will indeed never come close to orchestrating an album on a level to Radiohead at the their peak, within the alt-rock genre. The Bends is Thom Yorke at his very best. Sounding troubled, haunted and established in equal measure. Musically, The Bends includes some of the beautiful pieces of music I have had the pleasure of hearing in 'Fake Plastic Trees' and 'Street Spirit (Fade Out)'. It was a bold effort from Radiohead, and wasn't as commercially successful as it's successors. Yet, it is now as acclaimed as any of Radioheads more recent efforts. The Bends is a unique album in every sense of the word. Yorke's vocals achieve a sort of pitch that the instruments do themselves. It's a truly enigmatic album, with every song having an equally effective, yet different effect on you as a listener.
7: Oasis- (What's The Story) Morning Glory?
People will always disagree on certain things. Tea or Coffee? Cats or Dogs? Definitely Maybe or Morning Glory? For me, it's the former of the two. However, Morning Glory comes a very close second. Written with the same arrogance as Definitely Maybe, (What's The Story) Morning Glory? was a superb follow-up. It was loud, brash and aggressive. It included an endless list of hits such as 'Wonderwall', 'Don't Look Back In Anger', 'Morning Glory' and 'Champagne Supernova'. The only critique is that it was perhaps not quite as inventive as Definitely Maybe, however this doesn't make it any less invigorating from a musical perspective. Oasis were never concerned with commenting on current affairs or political issues within their songs. Noel, Liam and co. wrote melodies strong enough to compensate for any lack of political knowledge. This album acted as a stand. It was a victory for real British rock 'n' roll. This album had everything. Wonerwall had potentially the most memorable guitar intro in British rock history. Don't Look In Anger became one of the most nostalgic singalong songs of the past 20 years. Morning Glory filled fans with adrenaline like no other song could. Champagne Supernova had the psychedelic guitar tones that only The Beatles could have claimed to have possessed prior. A genuine classic in every sense.
6: Biffy Clyro- Only Revolutions
Ask any neutral music fan what their favourite Biffy Clyro song is. They'll probably respond with either 'Many Of Horror', 'The Captain' or 'Mountains'. Or perhaps 'Bubbles' or 'God & Satan'. All of which derive from this very album. Only Revolutions is Biffy's only album to have ever been nominated for the prestigious Mercury Prize. It's easy to see why. Whilst remaining true to their roots as a heavy rock band, Biffy expanded their arsenal with irresistibly catchy anthems. This was the first album by the Scottish trio that included massive singalong hits. Yet, it also includes powerful riffs within songs very much in the mould of their earlier stuff such as 'That Golden Rule' and 'Shock Shock'. This album achieved commercial success due to its capabilities to cater for a broad base of rock music fans. Every song offers something completely different. Whether it be a heavy drop, catchy lyrics, emotional meaning, intense instrumentals or stripped back acoustic magic. This album allowed Biffy Clyro to evolve. The quirkiness remained, but the hooks became ever sharper, and they achieved an established sound that Biffy fans were not familiar with.
5: Arctic Monkeys- Whatever People Say I Am, That's What I'm Not
Never has a debut album given a band a bigger platform from which to work from. Still teenagers at the time of release, the Sheffield four-piece took the indie world by storm with the release of their debut single 'I Bet That You Look Good On The Dancefloor', which very quickly became an indie anthem of a generation. 12 years later, Arctic Monkeys have five number one albums, have headlined every major music festival worldwide and have already established themselves as one of the most popular British bands of all time. Before even being released, this had the makings of being one of the most iconic albums of our generation. Fuelled by adolescent experiences in their home city, their debut album follows quite a basic theme. Turners commentary on such basic subjects proved an instant universal success. Every single song on this album is stripped back indie rock excellence. Take away the classics 'I Bet That You Look Good On The Dancefloor', 'When The Sun Goes Down' and 'Fake Tales Of San Francisco', and you'd still probably be left with Arctic Monkeys best ever album. My personal favourite song fro this album 'A Certain Romance' is one of my all time favourites. This is merely a soundtrack of nights out and relatable experiences for British teenagers, and it's perfect.
4: Biffy Clyro- Opposites
Anyone that knows me pretty well will probably know that Biffy Clyro are my favourite band. Anyone that knows me better will know that my favourite song all of time is 'Different People', which happens to be the opening song of Biffy's sixth studio album- Opposites. This really did take Biffy to the next level. It's experimental, emotional and captivating. In amongst the tremorous riffs, vocal hooks and anthemic choruses that Biffy had already become synonymous with, you have bagpipe outbreaks and punctuations of harp. Biffy Clyro's slow and torturous rise to fame makes this album utterly heartwarming. From their gritty post-grunge roots, to this stadium size anthem filled collection of hits. Yet unlike any other band with a platinum selling album, this effort from Biffy is far more complex, troubled, intriguing and ultimately- different. Although not the career defining album that 'Only Revolutions' was at the time, Biffy headlined their first ever major UK festival off the back of this album at Reading and Leeds 2013. This cemented Biffy's reputation as one of the most creative and brave rock bands of the 21st century.
3: The Verve- Urban Hymns
In what became quite a famous quote, Bono of U2 once stated that the one song he always wished he had written was 'Lucky Man' by The Verve. Whether you like U2 or not (which I don't), it's hard to ignore the sheer star power of Bono and the respect he has within the music industry. Bare in mind 'Lucky Man' is not even the most iconic song of this album. That accolade goes to cult classic 'Bittersweet Symphony'- often regarded as one of the most iconic British indie anthems of all time. Urban Hymns is a brutally honest album. An album which everyone up and down the country could relate to. Urban Hymns is an album for the people. It's a thrilling album, with sweeping symphonys passionate declarations of failure. The huge singalong choruses are so so hard to ignore. As is the musical arrangement of most songs. 'Sonnet' and 'The Drugs Don't Work' being prime examples, alongside the previously mentioned 'Lucky Man' and 'Bittersweet Symphony'. The fact that this album achieved such commercial success is such an endearing though, given the depressing tone behind the writing process. Supposing I didn't worship Oasis and Biffy Clyro as much as I do, this may have ranked higher.
2: Biffy Clyro- Puzzle
Never has a band had more of an emotional effect on me as Biffy Clyro. They are a band that I discovered at a very tough point in my life. They offered me a release. This album in particular. With a notably different route than their previous albums, Puzzle is an album fuelled by heartache and misery. This was the album that propelled Biffy into super-stardom. Yet, it still sounds as scraggy and raw as their previous efforts, unlike future success stories 'Only Revolutions' and 'Opposites'. Kicking off with 'Living Is A Problem Because Everything Dies', as a listener, you're immediately drawn in by the extraordinary instrumental build up, coupled with the violin gut punches, which in my opinion, is musical genius. Many tracks such as 'Who's Got A Match' and 'Saturday Superhouse' carry the same kind of intensity. All written with devious song structures and powerful instrumentals. Other songs such as 'Machines' and 'Folding Stars' are melodic excellence. This album gave Biffy a platform to achieve the success that they have today. It gave them the freedom to experiment with their music and thus made them multi dimensional. Being able to confide in Biffy Clyro just by listening to this album sounds ridiculous, but that's how I felt for a period of time. This album feels special to me in a way that no other does.
1: Oasis- Definitely Maybe
From a non-biased perspective, I'd have to say that not only is this probbaly the best album ever recorded, but Oasis are probably the best band of all time. Call me generic, I don't care. The fact that this album is sheer musical excellence, yet sounds like it was recorded in the middle of a pub-crawl, makes it truly iconic. This is vague songwriting at its very best. Not necessarily the most inventive of albums, it takes inspiration from bands such as The Beatles, The Jam and The Sex Pistols, but it's delivered with a typically Oasis arrogance that gives it an added edge. Certain songs may seem as if they are just written about getting pissed and generally not giving a fuck, but that couldn't be further from the truth. Rock 'n' Roll Star has a powerful message about escaping the overwhelming metropolis of big cities and living in the moment. Another of the most iconic songs 'Live Forever' is about young outsiders chasing immortality. Cigarettes and Alcohol however, is just about cracking open a tinnie and having a cig, and that's why it's absolutely class. The majority of Oasis's best songs are on this very album. It acts as a tracklist for a generation. Oasis never bettered this album, and quite honestly, neither did anyone else. Nor will anyone ever better it.
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